FCS French Culture and SocietyFCS195Y A multi-media course, analyzing the contributions the French have made to world culture
in such domains as architecture, art, literature, and music, as well as some of the
implications of the appropriation of French cultural icons by big business and the media.
(Not offered in 1999-2000) FCS294H1 From Joan of Arc to Simone de Beauvoir and her feminist heirs, be they saints, seductresses, queens, witches or intellectuals, French women have alternately suffered from social changes and led them. A series of guest speakers provide careful analysis of a number of seminal texts and films. FCS296H1 A multi-media course examining how the French today are changing and relating to the growing global culture, while still maintaining their characteristically strong identity. The course addresses current youth behaviour and issues using best-sellers, films, rock videos, network media, and current fashions. (Not offered in 1999-2000) FCS297H1 An examination of the historical, social and cultural status of French comic books ("bandes dessinees" or "BDs"), based on English translations of Asterix, Tintin and other contemporary works. Analysis of thematic and narrative structures compared with traditional genres (folktales, myths, plays, novels).) FCS298H1 From the ancient stories of the 1001 Nights to recent Paris fashion designers from the Orient, French culture has been exposed to Asian influences which have become part of the national fabric. This course explores some of these manifestations in literature, film and the arts. FCS310Y1 Cinema in France with emphasis on theory and practical criticism, on auteurs and
movements such as the avant-garde of the twenties and the New Wave of the late fifties.
Films shown are subtitled. FCS394H1 Crime and punishment, in the largest sense of both words, permeate French culture in
controversial ways. This course considers how and why, through Hugo's Les Miserables, and
Foucault's Discipline and Punish. (Not offered in 1999-2000) FCS395H1 An investigation of the French reputation for the systematic indulgence of all the
senses, from the growth of sensuality-based industries and services to the discussion of
works of high art and popular culture. Also focussing on elements of gender definition and
exoticism within the cult of sensuality. (Not offered in 1999-2000) FCS396H1 An examination through the cinema and other media (advertising, for example) of how
French culture can be adapted in America, and vice versa. Focus on the remake of French
films by the Americans and the invasion of French cinema by American genres. (Not offered
in 1999-2000) FCS397H1 An examination of French theory and practice of male and female homosexualities through
the study of fiction and autobiographical texts by major writers ranging from Nobel Prize
winners to a music hall performer and a jailbird. (Not offered in 1999-2000) FCS398H1 A study of diaries written by prominent French and Quebecois women authors, based on
contemporary literary and feminist theory. Issues include the relevance of diary-writing,
self-identification through writing, narcissism, female gender identity, autobiographical
truth, and the female subject as a product of social, ideological and cultural structures. FCS495H1 This course focuses on the global influence of French language and culture, with
particular attention paid to its social, political and cultural impact on Europe, Africa,
Asia, and the Americas. The regional and social variations of the language and culture
found in the many nations that make up the Francophone world are examined. (Not offered in
1999-2000) FCS496H1 Godard's films can be divided into three periods, starting with the "nouvelle
vague" to his increasing political radicalization in the 1960s and then a return to
mainstream film making in the 1980s. This course focuses primarily on Godard's first two
periods, and on his attempts to define a political cinema. |
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